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New Finds – XXXVIII

This will be a particularly rushed addition to this series, but while I still haven’t returned to checking any groups or other sources, and still doubt I will in the foreseeable future, so I still don’t have any actual new finds, I did at least get back to only including bands with recent releases. And I do have a couple of more recent finds that actually are new bands that I keep wanting to include but still can’t because they only have, or at least only officially posted, a single song, so I’m hoping that a second one will appear soon enough and it’ll be at least as good as the first. But, until that happens, I still have plenty of those that were added to the list quite some time ago to go through, and three more are in this post.

Sort of to get it out of the way, I’ll start with Mastercastle, and the reason why I rather want to get it out of the way is that I’m not sure I want to include it in such a post, and was considering removing it from the list at first. However, while they’ve been around for quite some time and their older releases likely wouldn’t have caused me to add them in the first place, their last full album, released in 2017, marks an improvement that is likely the reason why I added them back when I did, by far the most notable example of that improvement being Space of Variations. And that improvement is also noticeable in their recent release, Who Cares for the Moon, so maybe they’ll continue on this path.

Next is Eleine, which is a band that I likely meant to include in such a post so many times that I was certain I already had. One of the reasons why I kept deciding against it is likely embarrassingly shallow, and I’m referring to the fact that I’m very much put off by how their lead vocalist chooses to look. But she has a good voice and vocal lines, and I like the choruses in general. On the other hand, the other parts of their songs tend to sound harsher, and most unfortunately include growls, which is a much stronger and definitely entirely justifiable reason to keep skipping over them. But now I no longer did, and my pick out of their recent songs, Memoriam, shows what they’re capable of. And I’ll go with Devotion for the second pick, as it’s a song that even starts with male vocals and some growls, but I find even those growls tolerable, showing that they can be all right even if they insist on sticking to this sort of sound. I’d much rather they didn’t, of course.

As for the third band, that’s Metalite and the name is definitely appropriate when it comes to their sound, which is indeed “lite” but nevertheless all right to just listen to. What I found rather interesting, however, is that they seem to use that sound to tackle serious matters. Not particularly deeply, if you look at the lyrics, but they quite clearly seem to make a point of it, and have done so all along, my two picks, the recent Peacekeepers and the older Purpose of Life, being good examples of this.

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